Within any human geographic location material conditions of politics and ideologies are inflicted. Writers and writing instructors work in both real places, such as institutional, public, and private enterprises, and metaphorical places, such as frontiers, cities, and cyberspaces. These imagined territories encapsulate the numerous relationships strung between space, knowledge, and time.
The way in which we relate our metaphorical thinking in composition is constantly, and usually subconsciously, suppressed in the textual bounds of pages, paragraphs, sentences, and words. Especially those included in an academic community are used to the constant margins, borders, lines, and page numbers as means of text manipulation. With the increase and expansion of technology, such alterations are becoming more prevalent in composition. As shrinking of composition space occurs, one is beguiled into thinking time simultaneously expands.
Technology, business, and media are constant forces in time space compression. The frontier, a imagined territory, replaces primary American ideals of physical locations, for it became a dominant ideology of space and freedom. Uninhabited, uncharted landscape of the American west cultivated our national spirit, and posed as a alterable, plain canvas. Its policies remained stagnant, yet it endured the constant need to sound “new” and “bold.” Like the frontier, in cities a thin cloak is draped over a group, clearly declaring insiders and outsiders. Cities yield diversity, diplomacy, and positivity; also unlike frontiers, cities have a central location for gatherings of all sorts.
Primitive actions of labor compose frontiers, whereas cities are more complicated, yet deceitfully leave out eye sores. Also tricky is the misunderstood sentiment that the World Wide Web is accessible by all. This view of the web as a ubiquitous object creates a synthetic sense exploration possibility and wide participation, as one often realizes the web to be a enigmatic maze of information. Each geography illustrates how socially mediated composition spaces can extend past the physical.